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Innovation: Portfolio Management

29 sábado Abr 2017

Posted by José Félix Rodríguez Antón in INDUSTRIA FARMACEUTICA, Marketing farmacéutico

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Etiquetas

EPPM Enterprise Project Portfolio Management, PM Project Management, PMOs Project management organizations, PPM Project Portfolio Management, PPO Project Portfolio Optimization, Robert G. Cooper

porfolio management

Enterprise Project Portfolio Management (EPPM) is the practice of taking a top-down approach to managing all Project-intensive work and resources across the Enterprise.

Project portfolio management (PPM) refers to a process used by Project managers and Project management organizations (PMOs) to analyze the potential return on a doing a project. A key result of PPM is to decide which projects to fund in an apotimal manner. Project Porfolio Optimizaction (PPO) is the effort to make the best decisions posible under these conditions.

PPM and project management differ by number of projects. Project management looks to focus on an individual project´s, whereas project portfolio management takes into consideration every project or potential project and its viability.

PPM provides program and project managers in largue, program/project-driven organizations with the capabilities needed to manage the time, resources, skills, and budgets necesary to accomplish all interrelated tasks. These can include financial resources, inventory, human resources, technical skills, production and design.

Cooper 2

The objectives of PPM are to determine the optimal resource mix for delivery and to schedule activities to best archieve an orgaizations´s operational and financial goals, while honouring constraints imposed by customers, strategic objectives, or external ral-world factors.

The key aims of EPPM can be summarized as follows:

  • Prioritize hte right projects and program
  • Eliminate surprises: process to indentify potential problems earlier in the project lifecycle, to take corrective action before they impact financial results.
  • Build contingencies into the overall portfolio
  • Maintain response flexibility: quickly respond to escalating emergencies by maneuvering resources from other activities.
  • Do more with less: to ensure a consistent approach to all projects, programs, and portfolios while reducing costs.
  • Ensure informed decisions and governance
  • Extend best practise-wide
  • Understand future resource needs

Types of Portfolio Management:

  • Active Portfolio Management: the portfolio managers are actively involved in buying and selling of securities to ensure máximum profits to individuals.
  • Passive Portfolio Management: the portfolio manager deals with a fixed designed to match the current market scenario.
  • Discretionary Portfolio management services: an individual authorizes a portfolio manager to take care of his financial needs on his services.
  • Non-Discretionary Portfolioi management services: the portfolio manager can merely advise the client what is good and bad for him but the client reserves full right to take his own decisions.

The project portfolio management process helps companies predict the outcome and plan for projects that will offer the best results. It helps companies break down every detail of a proposed project-budgets, resources, tasks, timelines and goals. Using in-depth analysis of proposed projects, weighed against current projects, a company can define what risks offer the most rewards.

 

Dr. Robert G. Cooper is a Professor Emeritus of Marketing and Technology Management at University in Ontario, Canada. Is one of the most influential innovation thought leaderes in the business world today. He is considere one of the most important discoveries in the field innovation management. He has published more than 100 academic articles and eleven books, including: “ Portfolio Management for New Products”.

Bibliography:

  • Robert G. Cooper, Scott J. Edgett, Elko J. Kleinschmict; “Portfolio Management for new Products: Second edition. Hardcover”. January, 2002
  • Wikipedia

Links relationated:

  • Harvard University: management porfolio

https://hbr.org/2012/05/managing-your-innovation-portfolio

  • Economics from Oxford: management porfolio

https://academic.oup.com/rfs/article-abstract/9/2/511/1631102/Portfolio-Performance-Measurement-Theory-and

  • Robert G. Cooper and porftolio

https://www.youtube.com/watch?v=pcxPoVLE7PI

 

 

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The theory of disruptive innovation

23 domingo Abr 2017

Posted by José Félix Rodríguez Antón in INDUSTRIA FARMACEUTICA, Marketing farmacéutico

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Etiquetas

Clayton Christensen, disruptive innovation, disruptive technology, Innosight, innovator´s dilemma, Rose Park Advisors, sustaining innovation

the theory disruptive

It was invented by Clayton Christensen, of Harvard Business School, in his book “The Innovator´s Dilemma”. Christensen used the term to describe innovations that create new markets by discovering new categories of customers.

He contrasted disruptive innovation with sustaining innovation, which improves existing products.

Empirical teste show that using disruptive theory makes us measurably and significantly more accurate in our predictions of which businesses will succeed.

The “innovator´s dilema” is the difficult choice an established company faces when it has to choose between holding an existing market by doing the same thing a bit better, or capturing new markets by embracing new technologies and adopting new business models.

Disruptive innovations usually find their first customers at the bottom of the market: as unproved, often unpolished, products, they cannot command a high Price. Incumbents are often complacent, slow to recognise the threat that their inferior competitors pose.

Clayton Magleby Christensen is an American business consultant, Professor of Business Administration at the Harvard University, is expert on innovation and growth. From 1979 to 1984 worked as a consultant and Project manager with the Boston Consulting Group (BCG),where worked strategy consulting. In 2000, Christensen founded Innosight a consulting firm that uses his theories of innovation to help companies create new growth businesses. In 2007, he founded Rose Park Advisors, a firm identifies and invests in disruptive companies.

The theory of disruptive innovation, has proved to be a powerful way of thinking about innovation-driven growth. Many leaders of small, entrepreneurial companies praise it as their guiding star; so do may executives at large, well-established organizations. This theory has been enormously influential in business circles and a powerful tool for predicting which industry entrants will succeed.

disruptive_innovation_21

“Disruption” describes a process in which a smaller company with fewer resources i sable to successfully challenge established incumbent businesses. Specifically, as incumbents focus on improving their products and services for their most demanding customers, they exceed the needs of some segments and ignore the needs of orders.

Disruptive innovations origínate in low-end or new-market footholds. In a new-market footholds, disrupters create a market where none existed. Put simply, they find a way to turn nonconsumers into consumers. Disruptive innovations don´t catch on with mainstream customers until quality catches up to their standards. Are initially considered inferior by most of an incumbent´s customers. The customers wait until its quality rises enough to satisfy them. Once that´s happened, they adopt the new product and happily accept its lower Price.

Disrupters often build business models that are very different from those of incumbents.

Some disruptive innovations succeed; some don´t. Companies that rise to the top in very different ways will be seen as sources of insight into a common strategy for succeeding. Managers may mix and match behaviours that are very likely inconsistent with one another and thus unlikely to yield the hoped-for result. When an entrant tackles incumbent competitors head-on, offering better products or services, the incumbents will accelerate their innovations to defend their business.

Incumbents rarely responded effectively to disruptive innovations, not why entrants eventually moved upmarket to challenge incumbents, over and over again. The same forces leading incumbents to ingore early-stage disruptions also compel disrupters ultimately to disrupt. Researchers realized that a company´s propersity for strategic change is profoundly affected by the interests of customers who provide the resources the firm needs to survive. Incumbents listen to their existing customers. Incumbents´s focus on their existing customers becomes institutionalized in internal processes that make it difficult for even managers to shift investiment to disruptive innovations.

New-market disruptions take hold in a completely new value network and appeal to customers who have previously gone without the product.

The theory with the time has become more powerful and practicable.

Bibliography:

  • Clayton M. Christensen, “The Innovator´s Dilemma”, Harvard Business School Press, 1997
  • Clayton M. Christensen, Michael E. Raynor, Rory McDonald, “ What is Disruptive Innovation?, Harvard Business Review, December, 2015
  • Clayton M. Christensen, “Strategy & Innovation”,
  • A. W., “What disruptive innovation mean”, The Economist, Jan, 2015
  • Daniel Goleman, “Leadership & Managing People”, 2017
  • Wikipedia

Links relationated:

  • Clayton M. Christensen

http://www.hbs.edu/faculty/Pages/profile.aspx?facId=6437

  • Innosight

http://www.claytonchristensen.com/ideas-in-action/innosight-consulting/

  • Disruptive innovation

https://www.youtube.com/watch?v=rpkoCZ4vBSI

 

 

 

Innovation: types of creativity

16 domingo Abr 2017

Posted by José Félix Rodríguez Antón in INDUSTRIA FARMACEUTICA, Marketing farmacéutico

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Etiquetas

Contributory Creativite, Expected Creativity, Matrix of Creativity, Proactive Creativite, Responsive Creativity, Unsworth

creativity types

Kerrie Unsworth (is a Professor at Leeds University Business School, interested in studying motivation, creativity, pro-environmental behaviours and well-being), poposed in “Unpacking creativity” (2001) that there was more than just raw intelligence that influenced the creativie process. She argues that context was just as important of a factor of creativity as cognitive ability was. Looked two aspects of context: the problem type and motivation.

Closed problems: are instances when a problem is clearly.

Open problems: must be discovered and searched for.

Using the different types of motivation and problems, Unsworth created a matrix that broke down creativity into four arch-types.

Unsworth

Responsive Creativity

  • Most prevalent form of creativity studied
  • Individuals do a previously set creativity problema or task and complete it given the external demands and requirements
  • Individual has the least control over problema solving choice
  • We decide to create mor efficient ways for making it for management

Expected Creativity

  • External goal or outcome with a selfdiscovered solutions selected by the problema solvers
  • Select from a set the particular problems/ issues about which they will think creatively and conbribute their responses
  • Open Managenement want us to find ways of making it

Contributory Creativity

  • Individuals self-determined and based upon a problem clearly formulated by others
  • Individuals who elect to engage in creativity to help solve problems with which they are not directly involved
  • We want to discover way fo making it for ourselves

Proactive Creativity

  • Individuals think creatively about open ended issues and problems that interest them
  • Individuals spontaneously provide creative proposals that were not requested
  • Difficult but important to assess

Implication of this analysis for creative thinking is that the types of creative thinking in several ways, the creative process may change depending upon the type of creativity:

Creative is more constrained, when they are engaging in creative thinking for external reasons and are doing tasks or problems that are more closed.

Creative will be stronger, when requiring more effort (proactive and contributory creativity) than for types requiring more effort (responsive and expected creativity)

Relationship between motivation and creativity will be stronger for those types requiring more effort (proactive and contributory)

Bibliography:

  • Unsworth, K, “Unpacking creativity”, The Academy of Management Review, 26, (2) 286-297, 2001
  • Wikipedia

Links relationated:

  • Kerrie Unsworth

http://business.leeds.ac.uk/about-us/our-people/staff-directory/profile/kerrie-unsworth/

Innovation: Creativity

09 domingo Abr 2017

Posted by José Félix Rodríguez Antón in INDUSTRIA FARMACEUTICA, Marketing farmacéutico

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Etiquetas

brainstorming, cognition and thinking, creativity, motivation, motivational sinergy, social psycology

creativity

Peter Drucker taught us: “The business Enterprise has two basic functions: marketing and innovation”.

Creativity is a phenomenon whereby something new and somehow valuable is formed. The created ítem may be intangible (service) or a physical object (product) what customer demands.

Teresa Amabile, is the Profesor of Business Administration at Harvard Buisness, argued that to enhance creativity in business, three components were needed:

Creativite

  • Expertise (technical, procedural and intelectual knowledge).
  • Creative thinking skills (how flexibly and imaginatively people approach problesm),
  • Motivation (especially intrinsic motivtion)

There are two types of motivation:

  • Extrinsic motivation: external factors,
  • Intrinsic motivation: inside an individual, satisfaction, enjoyment of work

6 managerial practices to encourage motivation are:

  • Challenge: matching people with the right assignments
  • Freedom: giving people autonomy
  • Resources
  • Work group features
  • Supervisory encouragement
  • Organizational support

Two important assumptions underlie the Amabile´s theory:

  1. There is continuum from low, ordinary levels of creativity found in everyday life to the highest levels of creativity found in historically significant inventions
  2. Related underlying assumption is that there are degrees of creativity in the work of any single individual, even within one domain.

According to the expanded theory, has undergone considerable evolution since 1988, intrinsicmotivation and creativity might actually be enhanced, this process is termed “motivacional synergy”, (Amabile, 1993) .

In organization, there are possibilities por innovation facilitates, brainstorming can result in surpresing innovations. A posible attitude, and a low-stress environment, can support the greater mental flexibility and training.

 

Bibliography:

  • Amabile, T. M, “The Social Psychology of Creativity: A Componential Conceptualization”, Journal of Personality and Social Psycology 45, no2, 1983
  • Carol Kennedy, “Guide to the management gurus”, Random House Business Books, 1991
  • Wikipeda

Links relationated:

  • Teresa M. Amabile: theory of creativity

https://www.youtube.com/watch?v=k5j6uNEdai8

 

  • Harvard Business School

https://www.exed.hbs.edu/programs/gmp/Pages/default.aspx?lb=fy17:gmp

Innovation: lifecycle

01 sábado Abr 2017

Posted by José Félix Rodríguez Antón in INDUSTRIA FARMACEUTICA, Marketing farmacéutico

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Etiquetas

diffusion of innovations, disruptive innovation, early adopter, lifecycle, Rogers, sustaining innovation

cyclelifes

 

Engaging with open innovation is a difficult process which requires time and an understanding of an orgnanisation´s own processes.

Challenges associated with engaging with open innovation across the lifecycle of a process and a product.

Everett M. Rogers was an American communication theorist and sociologist, who originated the diffussion of innovations theory and introduced the term early adopter. He was distinguished Professor Emeritus in the Department of Communication and Journalism at the University of New Mexico. “Diffusion of Innovations” was published in 1962, it became the second most-cited book in the social sciences.

innovations

Rogers proposes that adoprters of any new innovation or idea can be categorized as:

  • Innovators 2,5%
  • Early adopters 13,5%
  • Early mayority 34%
  • Late maority 34%
  • Laggards 16%

Based on the mathematically Bell curve.

Each adopter´s willingness and ability to adopt an innovation depends on their:

  • Awareness
  • Interest
  • Evaluation
  • Trial
  • Adoption

People can fall into different categories for different innovations. The graph shows acumulative percentage of adopters over time-slow at the start, more rapid as adoption increases, then leveling off until only a small percentage of laggards have not adopted.

Are two types of innovative strategies for a large company:

Sustaining innovation: evolutionary changes in their markets, products, etc. valued by their existing customers, fairly well.

Disruptive innovation: radical shifts in technology, customers, regulatory changes, etc, that create new markets. It is innovation that go after new markets, new customers, new technologies, etc. are best built outside a large company´s existing organization. In a large company is attempting to solve two simultaneous unknowns: the customer/market is unknown, and the product feature set is unknown.

Mastering disruptive innovation in a large company requires:

  • Different people
  • Different processes

 

Bibliography:

  • Everett Roggers, “ Diffusion of Innovations”, 5th Edition, Ed. Simon and Schuster, 2003
  • Wikipedia

 

Links relationed:

  • Innovation Management

http://www.innovationmanagement.se/tag/innovation-life-cycle-processes/

  • Oracle

    tp://www.oracle.com/us/products/applications/consumer/innovation- management/overview/index.html

 

 

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